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ART/WORLD
April 1, 1983
It seems that the Lee Strasberg School of Method Acting and the black leather boot marks of James Dean and Read more…
ART/WORLD
February 24, 1983
LOUISE NEVELSON Pace Gallery, 32 E. 57, Thru Feb. 19, 1983 Another garage sale of mix and match furniture legs, Read more…
New Art Examiner
February 1, 1983
“Don’t push me ’cause I’m close to the edge, I’m just trying not to lose my head. It’s like a Read more…
Flash Art
January 15, 1983
In a tailored tongue-in-cheek coincidence, the conceptualist duo, Vitaly Komar and Aleksandr Melamid, exhibited their paintings in New York on Read more…
Flash Art
January 1, 1983
Concrete machine guns sporting crenated stocks spit streams of water into a pentagon shaped trough embellished with General Electric logos. Read more…
New Art Examiner
September 1, 1982
Art 1982 Chicago was manna from heaven for the Museum of Contemporary Art. The opening night bene-fit bash—after all the Read more…
Horizon Magazine
July 1, 1982
Like his namesake, Raphael Soyer has championed the human form. It’s a lonely job. The earliest work in the Hirshhorn Read more…
ART/WORLD
June 1, 1982
“And the rockets red glare, the bombs bursting in air,” at least that’s what Francis Scott Key could have raved Read more…
Flash Art
June 1, 1982
During the month of April, Rappaport exhibited seven of his recent oil canvases (all 103 x 78 inches) in a Read more…
Flash Art
June 1, 1982
The fauvist landscapes in Martha Boyden’s paintings are inhabited by an exotic lot of Amazonian women, shy of facial expression Read more…