ART/WORLD
by Judd Tully

It seems that the Lee Strasberg School of Method Acting and the black leather boot marks of James Dean and Read more…

ART/WORLD
by Judd Tully

LOUISE NEVELSON Pace Gallery, 32 E. 57, Thru Feb. 19, 1983 Another garage sale of mix and match furniture legs, Read more…

New Art Examiner
by Judd Tully

“Don’t push me ’cause I’m close to the edge, I’m just trying not to lose my head. It’s like a Read more…

Flash Art
by Judd Tully

In a tailored tongue-in-cheek coincidence, the conceptualist duo, Vitaly Komar and Aleksandr Melamid, exhibited their paintings in New York on Read more…

Flash Art
by Judd Tully

Concrete machine guns sporting crenated stocks spit streams of water into a pentagon shaped trough embellished with General Electric logos. Read more…

New Art Examiner
by Judd Tully

Art 1982 Chicago was manna from heaven for the Museum of Contemporary Art. The opening night bene-fit bash—after all the Read more…

Horizon Magazine
by Judd Tully

Like his namesake, Raphael Soyer has championed the human form. It’s a lonely job. The earliest work in the Hirshhorn Read more…

ART/WORLD
by Judd Tully

“And the rockets red glare, the bombs bursting in air,” at least that’s what Francis Scott Key could have raved Read more…

Flash Art
by Judd Tully

During the month of April, Rappaport exhibited seven of his recent oil canvases (all 103 x 78 inches) in a Read more…

Flash Art
by Judd Tully

The fauvist landscapes in Martha Boyden’s paintings are inhabited by an exotic lot of Amazonian women, shy of facial expression Read more…