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Smithsonian Magazine
June 1, 1985
There’s a great deal of good humor when he sets his merry-go-round world spinning—but there are needles and sharp edges, Read more…
Paul Jenkins - Broken Prisms
March 14, 1985
On a clear summer evening a few years ago during intermission of an off-off Broadway play, the name of which Read more…
ART/WORLD
March 6, 1985
The barefoot wunderkind stares into the camera, hands posed in prayer, the tip of the clasped paintbrush pointed to the Read more…
New Art Examiner
December 1, 1984
When Phyllis Kind tiptoed into New York nine years ago her stable of Chicago Imagists were an unknown commodity outside Read more…
New Art Examiner
July 1, 1984
Popcorn, Dubuffet and an epidemic of auction type fever dominated the 1984 Chicago International Art Exposition (CIAE) at Navy Pier. From Read more…
Flash Art
July 1, 1984
Approaching Chicago by air, the baby blue expanse of Lake Michigan licks a long strip of white sand beaches before Read more…
ART/WORLD
June 22, 1984
The diamond shaped logo for the Museum of Modern Art’s massive loan show, “An International Survey of Recent Painting and Read more…
Horizon Magazine
June 2, 1984
Fifty-five years ago, three eminently energetic, far-sighted, and fabulously wealthy women founded the Museum of Modern Art in New York. Read more…
Flash Art
June 1, 1984
Amat’s sunstroked surfaces of paper pulp marinated with pigment and wax contain the fantastic architecture of Antoni Gaudi’s Finca Güell Read more…
San Francisco Chronicle
May 6, 1984
In 1942 when the Art Institute of Chicago, the proud owner of Grant Wood’s best-known’ painting, “American Gable,” mounted a Read more…