Flash Art
by Judd Tully

Amat’s sunstroked surfaces of paper pulp marinated with pigment and wax contain the fantastic architecture of Antoni Gaudi’s Finca Güell Read more…

San Francisco Chronicle
by Judd Tully

In 1942 when the Art Institute of Chicago, the proud owner of Grant Wood’s best-known’ painting, “American Gable,” mounted a Read more…

Flash Art
by Judd Tully

The surface textures of Bianchi’s large abstract paintings jump from a gray expanse of sagebrush blown desert to a wave Read more…

Horizon Magazine
by Judd Tully

A cultural blitzkrieg has hit these shores bearing the stretched-canvas flags of Germany and Italy. America, precisely the New York Read more…

Flash Art
by Judd Tully

The self-taught and unself-conscious art of some genuinely primitive geniuses. Voodoo has come to Los Angeles Under the guise of Read more…

Horizon Magazine
by Judd Tully

Boopsie’s flat on her leotarded back, doing Jane Fonda abdominals on the livingroom rug of the Walden Commune. Her beau, Read more…

Portfolio
by Judd Tully

For millennia, handmade paper remained the province of skilled craftsmen bound by ancient techniques. Now, in a matter of some Read more…

Horizon Magazine
by Judd Tully

A true regionalist, Grant Wood painted the people and landscapes of Iowa with meticulous accuracy, a dash of humor, and Read more…

ART/WORLD
by Judd Tully

It seems that the Lee Strasberg School of Method Acting and the black leather boot marks of James Dean and Read more…

ART/WORLD
by Judd Tully

LOUISE NEVELSON Pace Gallery, 32 E. 57, Thru Feb. 19, 1983 Another garage sale of mix and match furniture legs, Read more…